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searching for the Moon Is Blue (film) 33 found (105 total)

alternate case: The Moon Is Blue (film)

Barbara Bel Geddes (1,606 words) [view diff] no match in snippet view article find links to article

Bel Geddes played 924 performances of the F. Hugh Herbert hit comedy The Moon Is Blue. In 1955, she created the role of Maggie "The Cat" in Elia Kazan's
Donald Cook (actor) (846 words) [view diff] no match in snippet view article
1948 revival of Private Lives and the original 1951 Broadway run of The Moon Is Blue. During his 1930 summer stock engagement at Elitch Theatre, Cook met
The Little Hut (1,210 words) [view diff] no match in snippet view article find links to article
formed a company to purchase the film rights to the play and make a movie from it. Herbert had written The Moon Is Blue, which had famously been released
Andrée Melly (917 words) [view diff] no match in snippet view article find links to article
films, including the comedy The Belles of St. Trinian's (1954) and the Hammer Horror film The Brides of Dracula (1960). Her role in the latter film was
Candice Azzara (396 words) [view diff] no match in snippet view article find links to article
Cactus Flower, Any Wednesday, Barefoot in the Park, and The Moon Is Blue. She has starred in such films as House Calls, Fatso, Pandemonium, Easy Money, Catch
Milwaukee Motion Picture Commission (751 words) [view diff] no match in snippet view article find links to article
reinvigorated the board, and helped them in their crusades against art films like The Moon Is Blue (1953), Blackboard Jungle (1955), and Rebel Without a Cause (1955)
Don Ameche (1,955 words) [view diff] no match in snippet view article find links to article
in Business Without Really Trying (1966) Henry, Sweet Henry (1967) The Moon Is Blue (1972) No, No, Nanette (1972) Never Get Smart with an Angel (1977)
Barry Nelson (1,405 words) [view diff] no match in snippet view article find links to article
Broadway with Barbara Bel Geddes in the original Broadway production of The Moon Is Blue. During the play's run, he also starred in a CBS half-hour drama called
Everything in the Garden (432 words) [view diff] no match in snippet view article find links to article
(Jack). Barry Nelson and Barbara Bel Geddes had appeared together in The Moon is Blue (1951) and Mary, Mary (1961). The Albee version changes several aspects
Peggy Ann Garner (1,590 words) [view diff] no match in snippet view article find links to article
In 1954, she toured with a troupe in several states, performing in The Moon Is Blue. Garner headlined the national tour of the William Inge hit Broadway
Kenley Players (4,162 words) [view diff] no match in snippet view article find links to article
Dagmar and Arthur Treacher Mister Roberts - no featured performers The Moon Is Blue - starring Jean Jory The Postman Always Rings Twice - starring Barbara
Kathleen Hughes (660 words) [view diff] no match in snippet view article find links to article
was a playwright who authored Kiss and Tell and The Moon Is Blue. Her desire to act was inspired by a film she saw featuring Donald O'Connor, which gave
Diana Lynn (1,411 words) [view diff] no match in snippet view article find links to article
Maurice Evans in The Wild Duck on Broadway. She also starred in runs of The Moon Is Blue in the United States and the United Kingdom. In 1947, a three-record
Christina Crawford (1,994 words) [view diff] no match in snippet view article find links to article
Theater in Milwaukee, and The Moon Is Blue (1960). In 1960, Crawford was cast in a supporting role in the crime drama film Force of Impulse, which was
Matt Cimber (1,456 words) [view diff] no match in snippet view article find links to article
The Little Hut, The Voice of the Turtle, The Ignorants Abroad, and The Moon is Blue. He adapted John Steinbeck's Burning Bright as a play, the cast of
June Dayton (649 words) [view diff] no match in snippet view article find links to article
several years, and in 1951, she toured in Australia with a production of The Moon Is Blue. Dayton played Mary Aldrich in The Aldrich Family, Patsy Hamilton in
Barbara Barrie (2,214 words) [view diff] no match in snippet view article find links to article
theatre company in Corning, New York, where she played the lead in The Moon is Blue in 1953. She also worked at the Rochester Arena Theatre. She made her
Marcia Henderson (839 words) [view diff] no match in snippet view article find links to article
closing on January 27, 1951. She had the lead in the touring company of The Moon Is Blue. She performed in the first play of the Williamstown Theatre Festival
Jody McCrea (1,228 words) [view diff] no match in snippet view article find links to article
country with The Tiger a production from Moral Rearmament. He did The Moon is Blue and Look Homeward Angel in stock. McCrea was cast as Lieutenant (later
James MacArthur (2,169 words) [view diff] no match in snippet view article find links to article
his career, appearing in such productions as Under the Yum Yum Tree, The Moon Is Blue, John Loves Mary (with his wife Joyce Bulifant), Barefoot in the Park
William Hardy (actor) (1,113 words) [view diff] no match in snippet view article
venue," both acting and directing. At Stages he not only directed The Moon is Blue but played the Marquis de Sade in Quills and the desperate professor
Christopher George (4,292 words) [view diff] no match in snippet view article find links to article
which he appeared while he was studying drama included All My Sons, The Moon Is Blue, Cat on a Hot Tin Roof, Stalag 17 and Who's Afraid of Virginia Woolf
John Dall (2,947 words) [view diff] no match in snippet view article find links to article
stock he appeared in The Hasty Heart (1952), Gramercy Ghost (1952), The Moon is Blue (1953), The Man Who Came to Dinner, and Born Yesterday (1953). Dall
Ralph Dunn (2,604 words) [view diff] no match in snippet view article find links to article
Service (1953), The Moon Is Blue (1951), An Enemy of the People (1950), and The Seventh Heart (1927). Dunn acted in hundreds of minor feature-film roles and
Richard Aldrich (producer) (1,060 words) [view diff] no match in snippet view article
Webster (1939), Margin for Error (1939), Goodbye, My Fancy (1948), The Moon Is Blue (1951), and Dear Charles (1954). He also produced numerous Broadway
Ricochet (Teresa Brewer song) (457 words) [view diff] no match in snippet view article
Voice label as catalog numbers B 10615 and 7M 173. The B-side was "The Moon is Blue". A comical version of the song is sung on the Season 4 (1955) episode
Ageism (22,443 words) [view diff] no match in snippet view article find links to article
seven." A similar interpretation is also present in the 1951 play The Moon Is Blue by F. Hugh Herbert: "Haven't you ever heard that the girl is supposed
Future Islands discography (565 words) [view diff] no match in snippet view article find links to article
— — "For Sure" (Dan Deacon Remix) — — — — — — — Non-album singles "The Moon Is Blue" — — — — — — — "Peach" — — — — — — — People Who Aren't There Anymore
Geoffrey Shurlock (883 words) [view diff] no match in snippet view article find links to article
his 1953 movie comedy The Moon is Blue without the PCA seal, as the PCA under Breen had objected to the language used in the film. Preminger and his distributor
John Bryant (actor) (3,048 words) [view diff] no match in snippet view article
Pacific Theater during World War II and later on Broadway. He also acted in films, but was most prevalent on television, playing many lead and character parts
Walker Library (Minneapolis) (2,675 words) [view diff] no match in snippet view article
calls for The Robe, From Here to Eternity, Moulin Rouge, Shane and The Moon is Blue. On June 11, 1954, the reference load was noted and some of the unique
List of appearances of Bob Grant on stage and screen (11,024 words) [view diff] no match in snippet view article find links to article
Erskine, Sandy (23 September 1955). "High Wycombe. Intimate Theatre: The Moon is Blue, by F. Hugh Herbert, directed by Robert S. Grant". Buckinghamshire
Sombrero Playhouse (6,064 words) [view diff] no match in snippet view article find links to article
presenting plays, the Sombrero "went dark" after the 1968 season, became an art film house in 1976, before being sold and demolished in 1982. William W. Merrill