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searching for African popular music 70 found (163 total)

Music of Mozambique (950 words) [view diff] exact match in snippet view article find links to article

began forging new forms based out of local folk styles and the new African popular music coming from Zaire, Zimbabwe, Tanzania, Zambia and South Africa.

Yvonne Chaka Chaka (1,589 words) [view diff] exact match in snippet view article find links to article

(on a 1990 tour), Chaka Chaka has been at the forefront of South African popular music for 35 years and has been popular in Cameroon, Nigeria, Zimbabwe

Peter Tsotsi (103 words) [view diff] exact match in snippet view article find links to article

recognized as one of the major contributors to the "twist" style of African popular music in the 1960s, modeled on earlier kwela music. Peter Tsotsi at Allmusic

John Collins (musician/researcher) (910 words) [view diff] exact match in snippet view article

the BBC's first-ever (five-part) series of radio programmes on African popular music called In The African Groove. Collins has been a film consultant/facilitator

G.V. Series (1,049 words) [view diff] exact match in snippet view article find links to article

re-interpretations influenced the creation of several genres of African popular music. Over 250 titles (double sided records) were produced in the G.V

Music of Sudan (7,479 words) [view diff] exact match in snippet view article find links to article

music of the 20th century and up to the internationally influenced African popular music of today. Despite religious and cultural objections towards music

Olu Dara (755 words) [view diff] exact match in snippet view article find links to article

eclectic mix of blues, jazz, and storytelling, with tinges of funk, African popular music, and reggae. His second album Neighborhoods, with guest appearances

Triple metre (962 words) [view diff] case mismatch in snippet view article find links to article

Alan (1990-06-15). Juju: A Social History and Ethnography of an African Popular Music. University of Chicago Press. ISBN 978-0-226-87465-4. Roberts, John

Oríkì (1,196 words) [view diff] case mismatch in snippet view article find links to article

Christopher A. (1990). Juju: A Social History and Ethnography of an African Popular Music. Chicago: University of Chicago Press.{{cite book}}: CS1 maint:

Music of Jamaica (2,739 words) [view diff] exact match in snippet view article find links to article

outside of Jamaica. During this time, reggae particularly influenced African popular music, where Sonny Okusuns, John Chibadura, Lucky Dube and Alpha Blondy

Beattie Casely-Hayford (1,501 words) [view diff] case mismatch in snippet view article find links to article

Professor John Collins; and served as a founding patron of Bokoor African Popular Music Archives Foundation, an NGO that Prof. Collins established in 1990

Kamo Mphela (800 words) [view diff] exact match in snippet view article find links to article

Uber". Apart from amapiano, she has also danced to other South African popular music genres including gqom, kwaito and pantsula. "Dalie" with Tyler ICU

Pata Pata (1,458 words) [view diff] case mismatch in snippet view article find links to article

Frank (2002). Music is the Weapon of the Future: Fifty Years of African Popular Music. Chicago Review Press. ISBN 9781556524509. Ansell, Gwen (28 September

Njarka (115 words) [view diff] case mismatch in snippet view article find links to article

Frank (2002). Music is the Weapon of the Future: Fifty Years of African Popular Music. Chicago Review Press. p. 101. ISBN 9781556524509. Retrieved 27

Yoruba music (1,603 words) [view diff] case mismatch in snippet view article find links to article

Christopher Alan Waterman, Jùjú: A Social History and Ethnography of an African Popular Music, (ed Paperback), Chicago, University of Chicago Press, 1990 ISBN 0-226-87465-6

Salsa music (8,945 words) [view diff] exact match in snippet view article find links to article

a major role in the development of many contemporary genres of African popular music. John Storm Roberts states: "It was the Cuban connection, but increasingly

Lokanga bara (114 words) [view diff] exact match in snippet view article find links to article

August 2002). Music is the weapon of the future: fifty years of African popular music. Chicago Review Press. pp. 47–. ISBN 978-1-55652-450-9. Retrieved

Ebenezer Obey (915 words) [view diff] case mismatch in snippet view article find links to article

Alan Waterman (1990). Jùjú: A Social History and Ethnography of an African Popular Music. University Of Chicago Press. ISBN 978-0-226-87465-4. Mike Awoyinfa;

Tunde Nightingale (419 words) [view diff] case mismatch in snippet view article find links to article

Christopher Alan (1990). Juju: A Social History and Ethnography of an African Popular Music. University of Chicago Press. pp. 110–112. ISBN 0226874656. Daramola

Akanbi Wright (267 words) [view diff] exact match in snippet view article find links to article

Christopher Alan (1990). Jùjú : a social history and ethnography of an African popular music. Chicago: University of Chicago Press. pp. 66, 82. ISBN 0226874648

Bobby Benson (736 words) [view diff] case mismatch in snippet view article find links to article

Frank (2002). Music is the Weapon of the Future: Fifty Years of African Popular Music. Chicago Review Press. p. 16. ISBN 1-55652-450-1. Idonije, Benson

Cheb Hasni (1,364 words) [view diff] exact match in snippet view article find links to article

Langlois, Tony (October 1996). "The local and global in North African popular music". Popular Music. 15 (3): 259–273. doi:10.1017/S0261143000008266

Ostinato (4,653 words) [view diff] exact match in snippet view article find links to article

the conventions of Western music theory. However, performers of African popular music do not perceive these progressions in the same way. Harmonic progressions

Bantu Continua Uhuru Consciousness (273 words) [view diff] exact match in snippet view article find links to article

vocals" and describing it as echoing the "township styles" of South African popular music. In 2019, their third album, "The Healing" came out. The Guardian

Aboubacar Demba Camara (567 words) [view diff] case mismatch in snippet view article find links to article

Tenaille, Frank (2002). Music is the Weapon of the Future: Fifty Years of African Popular Music (illustrated ed.). Chicago Review Press. ISBN 9781556524509.

Camayenne Sofa (83 words) [view diff] exact match in snippet view article find links to article

Tenaille, Frank (2002). Music is the weapon of the future: fifty years of African popular music. Chicago Review Press. pp. 30–31. ISBN 978-1-55652-450-9.

Msondo (145 words) [view diff] case mismatch in snippet view article find links to article

Frank Tenaille (2002). Music is the Weapon of the Future: Fifty Years of African Popular Music. Chicago Review Press. pp. 273–. ISBN 978-1-55652-450-9.

Music of West Africa (4,695 words) [view diff] case mismatch in snippet view article find links to article

Refined NG. Retrieved 31 May 2021. Coester, M. (2008). Localising African Popular Music Transnationally: 'Highlife-Travellers' in Britain in the 1950s and

Batile Alake (458 words) [view diff] exact match in snippet view article find links to article

Christopher Alan (1990). Jùjú: a social history and ethnography of an African popular music. University of Chicago Press. pp. 246. ISBN 0-226-87465-6. v t e

Zulu music (1,504 words) [view diff] exact match in snippet view article find links to article

originally released in the 1940s by Solomon Linda, and a genre of South African popular music that was inspired by it. "Mbube" was recorded in 1939 and became

Beyoncé (26,107 words) [view diff] case mismatch in snippet view article find links to article

Publishing. ISBN 978-0-7603-9314-7. Phillips, Lior (2023b). South African Popular Music. Bloomsbury Publishing. ISBN 978-1-5013-8344-1. Pointer, Anna (2014)

Music of South Africa (13,227 words) [view diff] exact match in snippet view article find links to article

were considered a "public hazard". The first major style of South African popular music to emerge was pennywhistle jive (later known as kwela). Black cattle-herders

Paul Kamba (1,239 words) [view diff] exact match in snippet view article find links to article

widely recognized as one of the early architects of modern Central African popular music. His work laid the groundwork for a musical renaissance that would

Ayinde Bakare (820 words) [view diff] case mismatch in snippet view article find links to article

Christopher Alan (1990). Juju: A Social History and Ethnography of an African Popular Music. Chicago Studies in Ethnomusicology. University of Chicago Press

Alioune Mbaye Nder (503 words) [view diff] exact match in snippet view article find links to article

fans, The King of Mbalax.[citation needed] Mbalax is a genre of African popular music developed in Senegal and Gambia. Evolving from the traditional rhythms

Nahawa Doumbia (544 words) [view diff] case mismatch in snippet view article find links to article

Frank (2002). Music is the Weapon of the Future: Fifty Years of African Popular Music. Translated by Toussaint, Stephen; Sandrine, Hope. Chicago Review

Tunde King (975 words) [view diff] exact match in snippet view article find links to article

Alan Waterman (1990). Jùjú: a social history and ethnography of an African popular music. University of Chicago Pressed. ISBN 978-0-226-87465-4. Stephen

I. K. Dairo (1,104 words) [view diff] case mismatch in snippet view article find links to article

Christopher Alan Waterman. Jujú: : a Social History and Ethnography of an African Popular Music, University of Chicago Press, 1990. p 101. ISBN 0-226-87465-6 Article

Prince Adekunle (634 words) [view diff] exact match in snippet view article find links to article

Tenaille (2002). Music is the weapon of the future: fifty years of African popular music. Chicago Review Press. p. 16. ISBN 1-55652-450-1. "Various – Nigeria

Driss El Maloumi (891 words) [view diff] exact match in snippet view article find links to article

(age 55) Origin Agadir, Morocco Genres Arabic music, Berber music, African popular music Occupations oud player composer singer Years active 1990–present

Lemmy Jackson (338 words) [view diff] case mismatch in snippet view article find links to article

no. 5. pp. 34–37. Onwuegbuna, Ikenna Emmanuel (2015). Trends in African Popular Music: Socio-Cultural Interactions and the Reggae Genre in Nigeria. Xlibris

John Ireland (South African musician) (105 words) [view diff] exact match in snippet view article

African Multi-instrumentalist". www.rock.co.za. Andersson, Muff. Music in the mix: The story of South African popular music. Ravan Press, 1981. p45. v t e

33 1/3 (1,421 words) [view diff] case mismatch in snippet view article find links to article

978-1-5013-8101-0 3 Dance-punk 2023 Larissa Wodtke 978-1-5013-8186-7 4 South African Popular Music 2023 Lior Phillips 978-1-5013-8342-7 5 Krautrock 2023 Marshall Gu

Tom Hark (1,408 words) [view diff] exact match in snippet view article find links to article

states that Bopape. the leading and powerful producer in South African popular music of the 50s, 60s and early 70s, deprived Elias Lerole of the royalties

Stella Chiweshe (1,368 words) [view diff] case mismatch in snippet view article find links to article

2023. Salawu, Abiodun; Fadipe, Israel A. (31 May 2022). Indigenous African Popular Music, Volume 1: Prophets and Philosophers. Springer Nature. p. 379.

Music of Nigeria (7,469 words) [view diff] case mismatch in snippet view article find links to article

Waterman, Christopher Alan (1990). Juju: A Social History and Ethnography of an African Popular Music. University of Chicago Press. ISBN 0-226-87465-6.

Owerri Bongo (409 words) [view diff] case mismatch in snippet view article find links to article

2023. Salawu, Abiodun; Fadipe, Israel A. (31 May 2022). Indigenous African Popular Music, Volume 1: Prophets and Philosophers. Springer Nature. ISBN 978-3-030-97884-6

Ikwokirikwo (411 words) [view diff] exact match in snippet view article find links to article

2023-09-01. Emielu, Austin (2011). "Some theoretical perspectives on African popular music". Popular Music. 30 (3): 371–388. ISSN 0261-1430. JSTOR 23359909

M'Pongo Love (818 words) [view diff] case mismatch in snippet view article find links to article

Frank (2002). Music is the Weapon of the Future: Fifty Years of African Popular Music (illustrated ed.). Chicago Review Press. ISBN 9781556524509. AllMusic

Pongo (musician) (645 words) [view diff] case mismatch in snippet view article

Frank (2002). Music is the Weapon of the Future: Fifty Years of African Popular Music (illustrated ed.). Chicago Review Press. p. 134. ISBN 9781556524509

Aṣíkò (897 words) [view diff] case mismatch in snippet view article find links to article

Christopher A., 1990. Juju: A Social History and Ethnography of an African Popular Music. University of Chicago Press. Dietz, Elisabeth Hoffmann, Olatunji

Guajeo (6,124 words) [view diff] exact match in snippet view article find links to article

a major role in the development of many contemporary genres of African popular music. John Storm Roberts states: "It was the Cuban connection ... that

Rakoto Frah (3,253 words) [view diff] case mismatch in snippet view article find links to article

Tenaille, Frank (2002). Music Is the Weapon of the Future: Fifty Years of African Popular Music. Chicago: Chicago Review Press. ISBN 9781556524509.

Mannenberg (2,616 words) [view diff] exact match in snippet view article find links to article

The new album was instead a fusion of jazz, rock music, and South African popular music; it sold much better than Ibrahim's previously collaborations with

Township music (1,732 words) [view diff] case mismatch in snippet view article find links to article

Zimbabwe." American Music 15 (1997): 285-304. Collins, John (2002). "African Popular Music". University of Alberta. Archived from the original on 28 October

Rossy (musician) (1,592 words) [view diff] case mismatch in snippet view article

Tenaille, Frank (2002). Music Is the Weapon of the Future: Fifty Years of African Popular Music. Chicago: Chicago Review Press. ISBN 9781556524509.

Brewster Hughes (742 words) [view diff] case mismatch in snippet view article find links to article

Christopher Alan (1990). Juju: A Social History and Ethnography of an African Popular Music. University of Chicago Press. p. 49. ISBN 978-0-226-87465-4. Ankeny

Sub-Saharan African music traditions (7,423 words) [view diff] exact match in snippet view article find links to article

Northern Ndebele. Zulu music has contributed the Mbaqanga style to African popular music as well as the polyphonic vocal styles called mbube and isicathamiya

Mahlathini and the Mahotella Queens (3,202 words) [view diff] exact match in snippet view article find links to article

producers came up with the idea of returning to the styles of acoustic African popular music and harmony singing groups, but they electrified the instruments

Dhow Countries Music Academy (1,305 words) [view diff] exact match in snippet view article find links to article

present in Zanzibar and Dar es Salaam since 2017, with a mix of African popular music styles directed by Christopher Anthony (jazz flute), with guitar

Renaissance (Soweto String Quartet album) (1,639 words) [view diff] exact match in snippet view article

described as their owing a "debt of gratitude to the pioneers of South African popular music." They spoke of their appreciation towards Miriam Makeba, Letta

Nnamdi Moweta (1,190 words) [view diff] exact match in snippet view article find links to article

performer who rose to international fame as the leading contributor of African popular music, known as highlife. Moweta oversaw Osadebe's four-month concert

Chamunorwa (547 words) [view diff] case mismatch in snippet view article find links to article

Zimbabwe. Duke University Press. Chipendo, Claudio (2022). Indigenous African Popular Music, Volume 1. Palgrave Macmillan, Cham. p. 324. Ragland, Cathy (April

Triple step (music) (852 words) [view diff] case mismatch in snippet view article

Alan (1990-06-15). Juju: A Social History and Ethnography of an African Popular Music. University of Chicago Press. ISBN 978-0-226-87465-4. Roberts, John

Dead Men Don't Smoke Marijuana (2,103 words) [view diff] case mismatch in snippet view article find links to article

August 2002). Music is the Weapon of the Future: Fifty Years of African Popular Music. Chicago: Chicago Review Press. p. 14. ISBN 1556524501. Retrieved

Cornelius Adam Igbudu (910 words) [view diff] case mismatch in snippet view article find links to article

ISBN 978-904-740-749-2. Salawu, Abiodun; Fadipe, Israel A. (2022). Indigenous African Popular Music, Volume 1: Prophets and Philosophers. Springer Nature. p. 157.

Our Garden Needs Its Flowers (611 words) [view diff] exact match in snippet view article find links to article

Flowers was initially released in 1985 and stood out among West African popular music, which focused on reggae and rhythm and blues, whereas these recordings

Reuben Caluza (847 words) [view diff] exact match in snippet view article find links to article

and musicians emphasizing his role in shaping early black South African popular music. Upon his return to South Africa in 1937, Caluza was appointed Head

Anglican Adam Preaching Society (1,295 words) [view diff] case mismatch in snippet view article find links to article

ISBN 978-904-740-749-2. Salawu, Abiodun; Fadipe, Israel A. (2022). Indigenous African Popular Music, Volume 1: Prophets and Philosophers. Springer Nature. p. 157.

Sebene (2,420 words) [view diff] case mismatch in snippet view article find links to article

Salawu, Abiodun; Fadipe, Israel A., eds. (31 May 2022). Indigenous African Popular Music, Volume 1: Prophets and Philosophers. Heidelberg, Baden-Württemberg